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The Boss range from Roland has an amazing history in the compact effects pedals market. The first Boss pedal was the CE-1 Chorus Ensemble, which appeared back in 1976, and since then Boss pedals have become a standard for many musicians. The first digital delay pedal from the Japanese company was the DD-2, which was launched in 1983 (I bought one of these at the time), and since then regular improvements to the digital delay range have occurred, resulting today in the release of their latest compact digital delay pedal — the Boss DD-7.
The new DD-7 improves on its predecessors and adds more features and capabilities. These include the addition of a Modulation Delay mode, Analog Delay mode, external tap-tempo pedal control, external expression control and longer delay and hold times.
The construction of the DD-7 follows the standard Boss compact pedal layout that has already proved to be a robust design for over 30 years. I have owned many Boss pedals over this time and have never had one break or fail. I don’t believe this is because I have been lucky, but more that they have great performance and reliability and are very durable. The DD-7 features five standard quarter-inch jack sockets for Inputs A (mono) and B, Outputs A (mono) and B and a Tempo/Exp input for external tap-tempo input or for control from an external expression pedal. There are four rotary controls on the top of the pedal for E Level, Fback, D Time and Mode. The Mode control selects between the following eight modes: 3200ms, 800ms, 200ms, 50ms, Hold, Modulate, Analog and Reverse. The functions of these controls vary according to how the inputs and outputs are patched (see below). With the standard configurations in mono (input A to output A), or stereo (inputs A and B to outputs A and B), the DD-7 performs as follows.
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